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DiscountDelight - The Trinity

The Trinity
List Price: $18.98
Our Price: $7.74
Your Save: $ 11.24 ( 59% )
Availability: Usually ships in 24 hours
Manufacturer: Atlantic / Wea
Average Customer Rating: Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5

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Binding: Audio CD
EAN: 0075678378829
Label: Atlantic / Wea
Manufacturer: Atlantic / Wea
Publisher: Atlantic / Wea
Release Date: 2005-09-27
Studio: Atlantic / Wea

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Spotlight customer reviews:

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: a must for anyone who likes to dance
Comment: This album by Sean Paul is named the Trinity because it took him 3 years to produce, it is his 3rd record and it was made in the 3rd world (Kingston, Jamaica). I think it's really amazing that he made this masterpiece in a tiny little recording studio in Kingston. The sound is unique to Sean Paul and I am certain it will be an international hit. I have danced to Temperature and We'll Be Burning in New York, Miami and Las Vegas -- it's at every dancehall and if it doesn't make you want to dance, maybe get your blood pressure checked.

Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: I didn't realize that SNOW had made a comeback
Comment: This album is absolute junk. Even though I cant stand most of todays "pop" music, I still try to keep up with the times and check out the scene, because sometimes you will find bands that are big on the charts (ex. Staind, Linkin Park, LL Cool J) that actually have some talent, and give us some good songs. Sean Paul sounds like a bad version of the early 1990's rappper, Snow, who had the hit, "Informer" This is absolute disgrace, espically when I get criticized for calling Death Metal artist, "Talented". Is this really talent. I do enjoy some hip-hop, mostly though I am strictly old school (old 60's + 70's RnB and 80's and early 90's hip-hop) There might be a few good songs on here for a dance club, if mixed correctly, but the entire album sounds the same, and Sean Paul sounds like he has marbles in his mouth. Its one thing when you have a talented Regaee artist that puts some lyrics over beats, but this is god-awful. I would save your money, because in a few years, you will be able to get this one of the discount rack.

Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: sean paul a sell out...mr.sellout....fi get buyout....
Comment: How you fi guh call other reggae artists "Dudes"..yuh not only dis di artist dem but a whole nation a people..jus because..yuh have a likkle hype..bwoy mi a tell yuh sean paul is a big let down....

Customer Rating: Average rating of 2/5Average rating of 2/5Average rating of 2/5Average rating of 2/5Average rating of 2/5
Summary: Fans can never be objective...
Comment: From the OBJECTIVE reviewer...Sean Paul does it...that's right, repeats the same song over and over 18 times and does even do a good job of it.

Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Summary: Some amazing tracks.
Comment: The album's title, if you are curious, has a three-part meaning: this is Sean Paul's third album, it took three years to create, and it was "all done right here in the Third World*," according to him.

*The Trinity was recorded entirely in Jamaica.

He stays true to his Caribbean roots and did not Americanize (euphemism for "sell out") his sound for this latest album. I will be the first to admit, however, that it is difficult to understand what he says most of the time. Regardless of that, so far I predict The Trinity to be the best warm-weather-with-the-windows-down-in-the-car-and-the-volume-up-high album this year...even though it was released last year, late last year. I cannot get enough of some of these songs right now.

01. Fire Links Intro I still do not like Intro tracks. This one did nothing to change that. I do not understand them; especially one that is 49 seconds long and yet just repeats the same thing over and over.

02. Head In The Zone A nice beat for a track that warms us up for the rest of the album ahead. I do tire easily of DJs and producers who yell at random intervals (see: Lil' Jon and DJ Clue), which is a blemish on this song.

03. We Be Burnin' We Be Burnin' was the first single released from this album. I became certain of a few things when I first heard this track: I would get this album and this would be the best track on it. I was right and wrong. This is a great song and definitely will get bodies on the dance floor, but not the best song on the album. That is a good thing. You can watch the video here.

04. Send It On This is a great example of a "catchy" song by Sean Paul standards. If I could figure out the words...they would be in my head all day!

05. Ever Blazin' This is my dark-horse pick for favorite track. The beat causes body parts to move of their own accord. Without realizing it you will be bouncing -- sitting, standing, laying down -- I don't care what you are doing. A great track to put on a mix you are making for your special lady friend if you want to add something with a beat.

06. Eye Deh A Mi Knee This is a fine song, but I can't help but think of Tunak Tunak Tun when I listen to it.

07. Give It Up To Me Time to slow it down some. One track that stands out as evidence that The Trinity does not have all of the energy that was in Dutty Rock. Do not misinterpret that, I did not say it was a bad song, just slower than others.

08. Yardie Bone This one is much less dancehall and much more reggae. In case you are curious, Wayne Marshall is featured.

09. Never Gonna Be The Same Another slower track. Sean Paul sets this song aside to reflect on the things that happen in our lives that are out of our control. It is a nice tribute to friends and family.

10. I'll Take You There A good song that would get more respect on an album with fewer "hits."

11. Temperature It is, unfortunately, unfair to the other tracks on the album for this song to appear. There are so many good songs on The Trinity, though this one just won't share the spotlight. As stated above, I was sure We Be Burnin' was as good as they could get. I was wrong.

12. Breakout It is a rare thing indeed when you can find an album you can listen to, start to finish, without skipping any songs. You *can* do that with this album, but if you were going to skip one song, this is probably it. It seems much less refined (for lack of a better word) than the other songs.

13. Head To Toe Has it been too long since he slowed it down for another ode to the ladies? I guess so. Apparently it was time for another. Probably the weakest of the slower songs, but the competition is stiff.

14. Connection One thing Sean Paul did so well on Dutty Rock was collaboration tracks with recent hot, female artists. This is the big one on The Trinity, featuring Nina Sky. She sounds good with him.

15. Straight Up Despite being a three-minute track, it seems to go too fast. The song is, overall, unremarkable -- neither good nor bad. It is fine, and well placed tucked at the end of the album.

16. All On Me Another collaboration song with a female artist. Sean Paul and Tami Chynn team up for this track. A mediocre song.

17. Change The Game Featuring Looga Man & Kid Kurup. This song saves the slow fall-off that was happening. The last few tracks made you think the album had run out of steam. Unfortunately, this track does what many do at the end of hip-hop albums recently; the featured artist takes the front seat and Sean Paul appears only as support.

18. The Trinity Last but not least, the title track. You have made it through 17 tracks to get here; the choice is yours if you let the last one play. You will not miss much if you stop now. The strength of the album is early.


Editorial Reviews:

Just try to sit still during the first few tracks on dancehall-reggae star Sean Paul's third album, The Trinity. It's a nearly impossible feat, and you're in need of a serious scolding if tracks "Head in the Zone," "We Be Burnin'," "Send It On" and "Ever Blazin" don't make your toes tingle. Paul introduced a worldwide audience to the dancehall scene via his explosive 2002 album, Dutty Rock, and he scored bigger pop creds via bouncy duets with Beyonce and Sasha. The Trinity refines Paul's pop sheen while still staying true to his Jamaican roots. Beats squish and slide seductively, tempered by staccato rhythms and Paul's self-assured, sexy delivery. Things take a serious turn halfway through The Trinity, specifically during "Never Gonna Be the Same." The sweet, sad song is a wistful ode to Paul's friend and mentor, Daddigon, along with several other lost loved ones. "Temperature" raises the heat, sister-duo Nina Sky pops up on "Connection," and Beyonce sound-alike Tami Chynn contributes airy vocals to "All On Me." But even with the help, the album's second half fails to match the ferocious intensity of the first few tracks. Program your player to repeat The Trinity's first five or six flavorful tracks and get busy, indeed. --Joey Guerra


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