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DiscountDelight - Edgar Meyer

Edgar Meyer
List Price: $18.98
Our Price: $5.99
Your Save: $ 12.99 ( 68% )
Availability: Usually ships in 24 hours
Manufacturer: Sony
Average Customer Rating: Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5

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Binding: Audio CD
EAN: 0827969650523
Label: Sony
Manufacturer: Sony
Publisher: Sony
Release Date: 2006-04-25
Studio: Sony

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Spotlight customer reviews:

Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Summary: All Too Familiar Virtuosity
Comment: Don't get me wrong. I worship Edgar Meyer as a musical deity. But much of this CD will sound familiar to long-time fans. Instead of Sam Bush playing mandolin...it's Edgar. Instead of Russ Barenburg playing guitar...it's Edgar. Bela Fleck on banjo.....nope, Edgar.
The bass playing is great, but predictable. You've heard it before. Edgar's piano is dominant on this album. It's better-than-fine; occasionally suprising and interesting.
But there are long dry spells between the really interesting, set-up-and-take-notice moments on this CD. Yes, it's virtuostic bass playing. And yes, isn't wonderful that he can play all those instruments competently. So, all in all, it's a somewhat self-indulgent album with mixed results. Fans of Edgar's should definitely have this disc in their collections, but I'd suggest hitting rewind on the really good parts!


Editorial Reviews:

There is no doubt about Edgar Meyer's musicianship, creativity or talent. This CD features 14 new works, all by Meyer and all played by him (through the magic of multi-track recording and overdubbing). In addition to his usual double-bass, Meyer plays piano, mandolin, dobro, guitar, and gamba (sometimes bowed, sometimes plucked, at points overdubbed nine times), all in various combinations. Each piece, it seems, is in a different style or genre. The first, a duet for piano and bass, is a long pop ballad without words. Another is (almost) pure bluegrass. There are some artsy pieces that experiment with sounds a la new-age music. The result is never boring but, at the same time, it gives the CD a feel of being neither fish nor fowl. As a means of showing off Meyer's considerable abilities it is splendid, but after the listener finishes oohing-and-aahing over the cleverness, it all seems like hors d'oeuvres with no main course. Different people will absolutely love different parts of this CD; as a unified listening experience, it's somewhat of a puzzle. --Robert Levine


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